Opera buffa

The term Opera buffa was at first used as an informal description of Italian comic opera variously classified by their authors as ‘dramma bernesco’, ‘dramma comico’, ‘divertimento giocoso’, ‘commedia per musica’, ‘dramma giocoso' etc... It is especially associated with developments in Naples in the first half of the 18th century, from whence its popularity spread to Rome and northern Italy. It was at first characterized by everyday settings, local dialects, and simple vocal writing (the Basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. Foreign genres such as opera comique or Singspiel differed as well in having spoken dialogue in place of recitativo secco, although one of the most influential examples, Pergolesi's La serva padrona, kicked off the Querelle des bouffons in Paris as an adaptation without sung recitatives. The New Grove Dictionary of Opera considers La Cilla (music by Michelangelo Faggioli, text by F. A. Tullio,... full article at wikipedia